Ruined Landscapes: Paintings of the Balkan War Zone
Image Credit: Laura Buxton. On the Boulevard: The Front Line East Mostar, 1994. Oil on board. On loan from the Turchin Center for Visual Arts, Appalachian State University.
On loan from the Turchin Center for the Visual Arts, Appalachian State University, Gift of Hugh and Jane Spratt McColl
January 17 – March 28, 2015
Painter Laura Buxton arrived in the Balkans in the summer of 1994 when Bosnia-Herzegovina was under a cease-fire. Like most outsiders in Europe, Asia and America, Buxton had read about the war in newspapers and failed to make out the why of it. “As an artist,” Buxton said, “I felt this tremendous responsibility to say something that would be worthwhile, that other people could see. And even if they couldn’t understand, they could at least gain some insight from a different point of view.”
When Buxton reached her destination, Mostar—formerly a great cultural crossroads, now cynically nicknamed the “Beirut of the Balkans”—her conscience and purpose were no longer clear. Depressed by the human catastrophe, the three weeks she had set aside to execute a few sketches of the places and people she encountered turned into a four-month stay. Leaving only when the cease-fire collapsed and shells began falling again on Mostar and Sarajevo, she returned to the Balkans in 1996 for a second visit.
A native of Scotland, Laura Buxton studied in Florence—partly with fellow artist, Ben Long—before settling in France. She now lives in Paris with musician John Greaves and their daughters, Ailsa Grace and Millie Greaves.
In 1996, Hugh L. McColl, Jr., the former Chairman and Chief Executive Officer of Bank of America, was invited to look at slides of Buxton’s Balkan paintings. Familiar with her work as an associate of local artist Ben Long in the execution of his frescoes for St. Peter’s Church and the Bank of America Corporate Center in Charlotte, NC, McColl was struck not only by their artistic merit, but their historical value as well. “These paintings are like ghosts rattling the chains of war in the attic of our souls,” he said. In addition to purchasing all the paintings that were still available, McColl sponsored a book to broaden the audience for Buxton’s work. Supplied by TCVA, the book will be available for purchase in BRAHM’s gift shop for the duration of the exhibition.